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March 12, 2010 8pm

Rumba Cafe

2507 Summit Street
(614) 268-1841

$7 adv / $9 door
Ages 18+ - under 21 pays $2 surcharge at door

Horse Feathers
http://www.myspace.com/horsefeathersmusic

The Portland, OR, folk duo Horse Feathers consist of singer/songwriter Justin Ringle (acoustic guitar, vocals, percussion) and multi-instrumentalist Peter Broderick (violin, banjo, mandolin, cello, viola, piano, saw, percussion, vocals). Ringle grew up in Idaho and played in several short-lived indie rock bands during his teenage years, but moved to Portland in 2004, where he met Broderick, who was already a member of the more established Portland band Norfolk & Western. They spent much of 2005 writing songs and honing their live performances at various Portland open-mike nights. Influenced by both the stark folk music of Bruce Springsteen’s Nebraska and the post-classical work of Scandinavian composer Max Richter, the duo entered the studio in February 2006 to record its debut album, Words Are Dead, 11 chamber-folk tracks featuring Ringle’s high, reedy vocals and enigmatic lyrics and Broderick’s baroque filigree. Words Are Dead was released on Lucky Madison Records in September 2006. The band inked a deal with the Kill Rock Stars label the following year, releasing House with No Home in 2008. - ©1992-2008 All Media Guide, LLC

Saintseneca
http://www.myspace.com/saintseneca

Necessity is the mother invention, sometimes in the weirdest way.

For Saintseneca, quiet hours and tiny spaces transformed an adolescent indie band into a folky four-piece that now stomps, shouts and strums with the best in the city.

“We had a cheesy electric band in high school, and we wanted to continue something in college,” said Luke Smith, who came from a small Appalachian town to Ohio State with bandmates Zac Little and Steve Jacobs. “It was tough for us to find a place to practice where we could make a lot of noise.”

Thus the addition of a plastic trash can for percussion and crack violinist Grace Chang, who has helped hone a soft, charming acoustic sound. It exploded in September on a fantastic four-song vinyl EP released with the help of San Francisco indie imprint Paper Brigade.

Literate acoustic acts like The Decemberists come to mind, but Saintseneca takes traditional American folk in even more intriguing directions.

“Something we focus on when we are writing music is filling up that space,” said Little, one of three members who rotate among guitar, banjo, dulcimer and other instruments. “Our music can be really sparse, but we try to get a full sound. If everyone’s playing an instrument, what can you do but stomp?”

Simultaneously traditional and dynamic, the sound has won the band a loyal following along several recent DIY tours and within the city’s thriving house-show scene.

“At some bars, it can be kind of weird or not as personal,” Smith said of opting for smaller, residential venues. “Playing for 30 or 40 in a basement can be really cool.”

Chang, who grew up reading sheet music and playing in school orchestras, agreed.

“For me personally, I enjoy the house show because you feel like you made friends with the people who hosted you,” she explained. “Since it’s so small and intimate, people are able to pick up on things more.”

The band has recorded five new songs and plans to release them this year, aided by the elbow-grease ethic working just fine so far. A tour through the Midwest and East Coast is slated for spring, and a longer road stint is scheduled during summer break. - John Ross, Columbus Alive

Old Hundred
http://www.myspace.com/oldhundred